Slaying the Dragon: First Thoughts on Five Seasons of Angel


“Well, personally I kind of want to slay the dragon.” – Angel (S5 E22, “Not Fade Away”)

I recently finished my first complete run-through of Angel. I can tell that, as has already been the case with Buffy, re-watching will complicate my response to particulars as well as to the show overall. It’s interesting to me, though, that I can already imagine watching it again (though maybe not all of it, especially not the second half of Season 4, which I really did not enjoy). Like Buffy, Angel seems to do things that are worth taking another look at after the dust has settled, after you know the answer to “what happens next?” There are ideas at stake in it, sometimes confused or swamped by the action, but at other times driving it towards moments of real insight. Unlike the other shows I happily rewatch in order to bask in their familiar pleasures, Angel and Buffy are shows that seem to change, and often deepen, when you go back to them.

angelusMy initial thought at this point is that overall, while I like Buffy the series better than Buffy the character, I like Angel the character more than Angel the series. I would happily watch another two or three (or more!) seasons about Angel, despite how dreadful Angel occasionally was, because I find him complicated and fascinating, whereas Buffy (though she does develop over the course of her series) always seems somewhat two-dimensional to me. I suppose this is a version of the age-old artistic problem that virtue is intrinsically less interesting than vice, except that of course with Angel we’ve got the best of both worlds: good and evil in unending tension, Angel and Angelus distinct but never entirely separable. Buffy, on the other hand, has a clear and singular role to play: while she sometimes rebels against it, when things turn bad she always, always, rises to the occasion — which is great and inspiring, because she’s strong and principled and brave and autonomous, but also somewhat predictable.

Angel is quite limited in Buffy, too: I was actually startled, in the early episodes of Angel, to see him laughing and talking and generally interacting with people, and with the world, like a real person, rather than just brooding in his crypt. (I’m not sure I ever saw Angel really smile in Buffy, never mind sing or dance — though I suppose that’s just as well.) I loved the way Angel made a running gag out of his broodiness, rather than romanticizing it,  and I appreciated that the other characters and also many of the plots that unfolded over the series challenged him to think about his life and choices in varied and often quite ethically complicated ways. His role as a “champion” is never as straightforward as Buffy’s, because he carries Angelus with him, with all the baggage of his past sins but also the lurking possibility of reverting to evil. In some ways I think that gives his moral choices more weight than Buffy’s can ever have, because she’s never actually going to do the wrong thing, and when Angel does the right thing (like destroying the Gem of Amara) it’s often at considerable cost to himself.


This is one reason I liked it so much when Spike joins Angel: their different paths to the same place become so mutually illuminating. Spike made a deliberate decision (and went to considerable pain and trouble) to get his soul back, and that heroic quest makes him more noble in some ways than Angel, whose transformation was involuntary. But Spike has nothing like Angel’s experience of repentance. As Spike eventually says to Angel, “I never looked back at the victims,” and in that respect Angel, who has suffered years of tormenting guilt and chosen over and over to seek redemption, has something of a moral lead. “I spent a hundred years trying to come to terms with infinite remorse,” Angel expostulates; “you spent three weeks moaning in a basement and then you were fine.” (Spike’s entrance into the show also, as that line shows, brought back the wonderfully comic quality that Season 4 is mostly missing, and that keeps the show from falling into self-importance. Here’s an entertaining compilation of some funny Angel-and-Spike moments. 🙂 )

I enjoyed the noir atmosphere of the earlier seasons, with its blend of superhero crime fighting and hard-boiled private eye investigations: it’s Batman meets Philip Marlowe. I can see, though, how that genre could lose momentum: while having a vampire as the investigator is initially a cool twist, it could easily have become just a gimmick. So it makes sense that they moved the show away from that episodic approach towards larger arcs in which Angel’s ongoing fight for redemption, and the overarching conflict between good and evil in the world, gave it purpose and depth. (This is how Buffy develops too, with the first season — as others warned me when I first started watching it — following pretty tedious “monster of the day” plots and then later seasons taking on more ambitious unifying themes and story lines.) I know that I’m not alone in feeling that in Angel the result can sometimes be terrible (did I mention that I don’t really want to watch Season 4 again?), but a show with a reach that exceeds its grasp is still preferable in lots of ways to one that doesn’t even try. And even the worst story lines in Angel sometimes yielded great moments. I hated everything about the way Jasmine came into the show, for instance — parts of that plot were truly abhorrent — but the episode in which she finally faces off against Angel was both dramatically satisfying and philosophically significant.

wesleyI didn’t like the Angel ensemble as much as the Scoobies in Buffy, but another thing Angel and Buffy have in common is that they both show individual characters transforming in ways that leave them astonishingly far from where they started but that somehow happen in utterly believable ways. Other long-running shows I’m familiar with put fairly consistent characters into lots of new situations, but what happens with Spike in Buffy happens with both Cordelia and Wesley in Angel. If you’d told me while I was watching Buffy that one day Wesley would make me cry, I would not have believed you! As for Cordelia, I couldn’t possibly do better than Jennifer Crusie at explaining how good her character becomes and how terribly she is ultimately treated. Kudos to the actors, of course, as much as the writers. As for our new friends, Gunn was good; I found Lorne a bit bland and Fred annoying ditsy — until she wasn’t any more.


Since I’ve only seen them all once so far, I can’t really say much in detail about individual episodes, though there are a few that do already stand out in my mind, including “I Will Remember You,” “Epiphany,” “Reprise,” and “You’re Welcome.” (Oh, and “Smile Time,” of course — though I still haven’t decided if it’s awful or brilliant. Maybe it’s both? Ditto “The Girl in Question,” which was almost too hilarious.) I also thought the final episode of Season 5 was quite wonderful: each character chose to have a day that beautifully represented who they were. My favorite bit there was Spike reciting his poem: what a nice return to our love-lorn William. When the season, and the series, was over, I felt satisfied with the way it went out, but also bereft because now there’s nowhere new left for me to go in this imagined universe that, to my surprise, I have ended up enjoying so much.

After I finished watching Buffy I discovered this excellent series of episode guides, which includes a pretty smart one called “Why You should Watch Buffy the Vampire Slayer.” I knew from watching that video that if I watched the matching one about “Why You Should Watch Angel” I might inadvertently pick up some spoilers from the illustrative clips he uses, so I didn’t watch it until I’d seen the whole series. I’ve watched it now, and like the Buffy one, I think it makes a pretty good case, as well as offering some insights into the plots, characters, and themes of the show.

11 thoughts on “Slaying the Dragon: First Thoughts on Five Seasons of Angel

  1. lawless September 27, 2016 / 9:14 pm

    I’m a sucker for storylines that contrast cheerful captivity with free will, so I enjoyed S4, particularly the concluding episodes, more than you did. (Cordy being swept up into the heavens at the end of S3/beginning of S4 was a downer.) But it was overall an angsty season.

    I’m convinced “Smile Time” is brilliant.


    • Rohan Maitzen September 28, 2016 / 8:32 am

      I definitely liked the final episodes of S4, for much the same reason: once it was clear what Jasmine represented, it stopped being just one of the weirdest (and ickiest) plot twists I’d ever seen and became thematically really interesting. It was the whole Cordy-Connor part I really hated. I thought the Connor plot was really good until he came back; the episode in which Angel comes to terms with his loss was so poignant.


      • lawless September 28, 2016 / 11:37 am

        I’m not usually good at compartmentalizing, but I managed to do it for S4 of Angel. For me, there are only a few icky episodes, and it’s more a matter of being unconvinced by Connor/Cordelia than an absolute moral revulsion at the age gap. The switch in loyalty actually made sense to me because of Cordelia’s amnesia; it was more the amnesia I had a problem with.

        Probably this was all driven by the feeling that the bumpy parts of S4 were the best they could do on short notice because it was necessary to write Carpenter’s real-life pregnancy into the show. I also found the transition to Angelus and the use made of Faith and Willow emotionally rich, albeit draj. I don’t


        • lawless September 28, 2016 / 11:39 am

          Sorry, that should be “emotionally rich, albeit dark.” I don’t do well when I can’t see what I’ve typed.


        • Rohan Maitzen September 28, 2016 / 7:37 pm

          It wasn’t the age gap I found icky: it was that up until that point Cordelia had been falling in love with his father — and had played a maternal role to Connor herself. I was OK with Angel being kind of jealous / anxious about being displaced by his son as long as I thought Cordelia was never going to play along. (I realize that as it turns out, it wasn’t exactly Cordelia, but we really weren’t prepped for that at all.)


          • lawless September 28, 2016 / 11:01 pm

            I get that. But she doesn’t remember anyone (although she vaguely remembers having feelings toward Angel), so she doesn’t have the awareness we do that she’s boinking the son of a man she was in love with. What is foremost in her mind is that Angel lied to her and is hiding something, whereas Connor has always been honest with her.

            That doesn’t mean I don’t find those scenes painful and unconvincing for other reasons. Also, despite her current reservations about Angel, one would think ahe’d steer clear of complicating entanglements.


  2. Teresa September 27, 2016 / 9:19 pm

    I’ve been pondering rewatching Angel, especially because I watched it out of order the first time, but whenever I think of season 4, I get annoyed and can’t. But then I really liked that last season, and I loved the development of so many characters, especially Wesley and the few moments we get to see Faith.

    I’ve now watched Buffy so many times that I rewatch to back in the familiar pleasures. It’s something I turn on when I just need background noise that’s moderately interesting. It took about three viewings to get there 🙂


    • Rohan Maitzen September 28, 2016 / 8:34 am

      Faith! Yes. I don’t know if the extra energy the show had when Faith and/or Spike were in it was because I already had a relationship with them or because they had something the new Angel characters didn’t quite have — not one of the new ones ever seemed as charismatic to me.

      I think skipping stuff you didn’t really like the first time is more than legit on a re-watch. I already found myself sometimes fast-forwarding some of the fight scenes, just because there are so many of them, and I can only take so many images of David Boreanaz being hit in the face.


  3. Amateur Reader (Tom) September 27, 2016 / 10:25 pm

    There is somewhere else to go! Both Buffy and Angel have continued, and are continuing now, as comic book series. I have sampled them. They are odd; they have their own new set of pluses and minuses. The imagined universe, anyway, is alive.

    One good reason not to look at the comics is that the last five or ten minutes of the last episode really are just about perfect.

    Your experience of the show as a whole is quite close to mine except that I love Lorne, at his finest, at least. Once he was added to the permanent cast there was clearly some trouble figuring out what to do with him. (See also: Anya).

    Whedon was great with jumping on these almost accidentally ideal combinations of actor and character, Spike being the best example. He was originally supposed to be killed off back in Buffy season 2!

    One strange side effect of reading the English poets of the 1890s was “discovering” Spike’s poem, in spirit, among the works of Ernest Dowson, Lionel Johnson, and I don’t remember who else. Some English major, later Hollywood writer, had stored that stuff away until needed.


    • Rohan Maitzen September 28, 2016 / 8:36 am

      I’m reluctant to turn to the comic books at this point — partly for the reason you give (both series end really well), but also because I’m such a bad reader of graphic novels, as previously demonstrated.

      Anya always had an energy to her that Lorne lacked. But maybe that’s because of the same vice-virtue problem. Lorne is fundamentally kind and gentle, which is hard to make very dramatic. Rewatching Buffy I have come to like Oz and Tara better than I did the first time, when I was more focused on the action and conflict of the episodes. I can imagine that Lorne might work the same way.


    • Teresa September 28, 2016 / 6:59 pm

      I go back and forth about whether I want to check out the comics. I’ve even gotten the first Buffy volume out of the library but didn’t end up reading it. I want more of that world, but both series ended so perfectly that adding on could wreck it. But the different format helps–easier to compartmentalize. The comic shop by my office displays several volumes in the window, so I’m constantly tempted (though the temptation is to get them from the library).


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