I have read three NFW (not for work!) books since finishing The Strangers: Lily King’s Writers and Lovers, Mary Lawson’s The Other Side of the Bridge, and (sort of) Nancy Mitford’s The Blessing. None of them was very demanding, unless you count the struggle to persist with The Blessing, which by about half way through I was just tired of. I didn’t really finish it: because it was for my book club, I really tried, but I ended up short on both time and patience and so did a very sloppy speed read so that I could at least say I saw the last page. 🙂
I was inspired to order The Other Side of the Bridge because I read Lawson’s latest, A Town Called Solace, for a review and also had recently read and liked Road Ends. I am pretty sure I read Crow Lake back when it was a new release, but that was in the Before Blogging so I can’t be sure. That I hadn’t followed up with her subsequent novels suggests that if I did read it, I didn’t love it. I don’t know if I would say I “loved” any of these other ones, but they are all very readable. They are all on a small scale: if I were devising a marketing blurb for them I might describe them as “Anne Tyler in Alice Munro country,” intimate family stories, often shot through with loss or trauma but softened by a kind of tenderness in the point of view, set in rural landscapes that are bleak but sustaining.
I looked up Writers and Lovers because of a swell of Twitter endorsements: I forget the exact context (as one does, with Twitter recommendations) but recently someone asked for smart but light(er) books for their mother to read on vacation, IIRC, and Writers and Lovers got a lot of shout-outs, and I already had it on my ‘watch list’ because of some earlier mentions. Twitter is both wonderful and terrible this way, of course: sometimes you are just (or, at any rate, I am just) sucked in by buzz around new, hot titles, but sometimes—and these are the good times!—you learn about books you’d never heard of before from readers whose range is wider than yours and whose judgments and sensibilities you believe in. (And yet I still can’t bring myself to read Bear, in spite of Dorian and everyone else. I went so far as to suggest it for my book club, and everyone’s expression on Zoom was basically ‘WTF you weirdo?!’) Anyway, I didn’t much like Writers and Lovers at first: plots about young people’s boyfriends and dating and break-ups sometimes seem as alien to me now as stories set on Mars. The novel’s protagonist is not exactly “young,” though, and she’s a writer, and her mother has just died quite young and very unexpectedly, and her struggles with her novel and her grief add layers to the story of her love life. A lot of the people I follow on Twitter are writers, and of course even more of them are readers, and I do sometimes think this skews the books that get a lot of attention, the way that following so many academics made The Chair seem like such a big event on Twitter when in fact surely it is quite a niche little thing. Writers and Lovers spent a fair amount of time on workshops and creative angst and agents and things—and on the stress and logistics of waiting tables, work I am pretty sure I would be terrible at. I expected something lighter, but in the end it was the sadder parts I liked the best, especially because (spoiler alert) they are capped off with a happy ending. It felt earned.
Now I am reading Lindsay Zier-Vogel’s Letters to Amelia, which is going well so far and has even made me think perhaps I should get to Newfoundland one of these days. Also in my TBR pile: Sally Rooney’s Beautiful World, Where Are You (because I decided I might as well find out for myself), and Molly Peacock’s Flower Diary, which is a physically beautiful object. Some of you might recall how much I loved The Paper Garden. It is a bit stunning to realize it has been nearly a decade since I wrote it up. It inspired me so much, including to reflect on my own efforts to find “[my] own form among the endless varieties of life on earth.” “Five years ago,” I wrote then, “though I had done a lot of writing, I would never have called myself a writer. Now, that identity lives for me as a possibility.” I am still not entirely sure that I call myself a writer, but I certainly have done a lot more writing since then, including here!