2013: My Year in Writing

I still expect to get some reading done before the end of the calendar year (especially Black Lamb and Grey Falcon, which I have resolutely started over), but except for another blog post or two I have no great writing ambitions for the remainder of 2013, so I thought I’d start my annual year-end wrap-up with a look back at the essays and reviews I published in 2013.

Once again I did most of my writing for Open Letters Monthly, and once again I can only be grateful for the encouragement, support, and astute criticism I get from my co-editors. After only three years “on board,” I know I would be bereft without the freedom but also the challenges this platform offers me as a writer and thinker.

OxfordIn 2013 I wrote two more essays on George Eliot for Open Letters. I consider all of these essays part of a larger work in progress, the exact form and character of which I am still trying to figure out. In February I wrote about the ending of The Mill on the Floss, which I framed with some ideas about the concept of ‘spoilers’ but intended primarily as an investigation into how Eliot uses the trap and shock of the novel’s conclusion to provoke us into demanding alternatives. In March, I worked through some ideas about the beautiful but ruthless morality of Middlemarch; the thoughtful comments I received helped me see ways in which my argument is, not wrong, but incomplete. One thing’s clear to me when I think about a more sustained project on Eliot: these are the issues I want most to keep writing about. I wrote one more Victorian essay for Open Letters this year, a fun ‘Second Glance’ feature on Wilkie Collins’s The Moonstone.

I reviewed four books for Open Letters this year (that’s a long way from Steve’s nearly 200, but for me it’s not a bad total). In some ways the time spent on these reviews — or on three of the four — was time I ended up regretting a bit, as I’m not sure the books themselves were worth the effort. That said, generally you can’t be sure what a book is worth until after you read it carefully and think about it for a while — and write about it, too, which is always a learning experience. And if I’m going to review a book, I want to bring my best attention to bear on it, even if there’s a risk it will not hold up. This was true only of the most recent one, I think, which was Helen Fielding’s Bridget Jones: Mad About the Boy, which I reviewed for our December issue. It really isn’t a very good book even of its kind. But writing about it did give me another opportunity to air my grievance against the tediously persistent idea that incompetence is charming while brains are, well, not. (How pleased I was to find Rebecca West making the same complaint: “can anybody who cannot grasp that the angles at the base of an isosceles triangle are equal have charm?”) The other two novels I reviewed, Elizabeth Gilbert’s The Signature of All Things and Kate Atkinson’s Life After Life, were at least intelligent and ambitious books, and thus it was more interesting to grapple with just why I nonetheless found them unsatisfactory. I’m particularly proud of my review of Life After Life, which I think is both intellectually scrupulous and rhetorically ingenious. The other book I reviewed for Open Letters this year was Deirdre David’s biography of Olivia Manning. I have no regrets about the time spent on this book, which is smart, interesting, and thought-provoking — like Manning herself.

straightOutside of Open Letters, I successfully pitched another piece to the Los Angeles Review of Books, this time on the racing thrillers of Dick Francis (in previous years I have written for them on Sjowall and Wahloo’s ‘Story of Crime’ and on Silas Marner). I had a great time rereading the novels and thinking about how to place them in the context of debates about and revisions of gender roles in crime fiction. What should I pitch to them next summer, do you think? How about a similar Big Gulp piece on Robert B. Parker’s Spenser series?

Of course, the bulk of my writing has been here at Novel Readings. I have been feeling as if I was in a blogging slump this year, but looking back through my archives I don’t see much evidence for that, which is reassuring. Since I’m going to write another post on my year in reading, I’ll pick out here a few pieces that aren’t book reviews.

I wrote several more posts on blogging. My post on blogging and ‘intellectual curiosity’ led to some confessions about the limits of my own curiosity. l also considered how I would answer the question “should graduate students blog?” and I wrote yet another polemic on the place of blogging in criticism and scholarship (“Blogging: Accept No Substitute!“), which was rerun in a slightly abbreviated form at the LSE’s Impact blog. Also in a polemical spirit I responded to William Giraldi’s gratuitous grumblings about internet criticism: “Forget that blog is just one letter away from bog, or that the passel of burgeoning “literary” websites is largely a harvest of inanity with only the most tenuous hold on actual literature.”

As usual, I also did a lot of thinking out loud about my teaching: this year’s highlights include posts on teaching feminism, on ‘coercive pedagogy,’ on the difference between information and education, and on the challenge of emphasizing processes over products.

Finally, I wrote a lot on Twitter this year. 140 characters isn’t much at one time, but they add up. It’s a very different kind of writing than a blog, an essay, or a review, but the conversations Twitter enables and the communities it supports have become essential parts of my intellectual and social life.

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6 Responses to 2013: My Year in Writing

  1. Alex says:

    I must have missed your piece on the Manning biography because had I know it was available I would have been first in line for it. I love her work and am off now to look for a copy.

    • Rohan Maitzen says:

      Alex, it’s an outstanding biography with lots of interesting discussion of Manning’s fiction. I highly recommend it!

  2. RT says:

    Thank you for posting the link to your “polemic” on blogging. I think you have hit on some great points, much in the way that D. G. Myers has argued at his superb blog. Academic journal writing and blogging can and should coexist.; the former will always have a small audience, but the latter has the potential for a wider, more diversified audience.

    • Rohan Maitzen says:

      I have followed the not-at-all-commonplace ‘Commonplace Blog’ for a long time – it is one of the blogs I think of first when defending the value of blogging critics (academic or otherwise!). Unlike some other academic disciplines, too, the work of literary criticism does not need to be simply reported on or ‘disseminated’ through a blog but can actually be done on a blog.

  3. Jeffry House says:

    I read many of these when they originally appeared; they were invariably stimulating! You even managed to whittle down my approval of MOOCs, which I had thought of, till then, only as “free stuff about books!”

    In the spirit of the season, I pity the poseur who called you “intellectually calcified” , but I suppose it would be unprofessional for you now, many years later, to summon up your twitter army to hunt him down? Pity.

    I look forward to reading your work in the coming year.

    • Rohan Maitzen says:

      Thank you, Jeffry: I’ve very much appreciated your encouragement and virtual companionship this year! Ah, MOOCs. It is starting to look as if the shine has worn off — yet our administrators do still seem to be tossing around “online” as a magic spell. It will be interesting to see where this all goes in 2014.

      It is indeed in the right spirit to be charitable! If I ever do try to mobilize my micro-army (division? battalion?) I hope it will be for good, rather than for evil. 🙂

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